I have done it!
I had repaired version 1 of the cathedral several times, and I finally ruined it.
So, I’ve rebuilt it from scratch – to create a slightly different, and hopefully better version. Come back stronger!
This took me longer than anything I had drawn before.
Click on the images in this gallery to see the work-in-progress photos:




I am constructing this “mathematical double tower” with graphite pencil on A3 paper, adding a little bit of color – just enough to remember which lines belong to what.
Then I am adding several faint layers of color with watercolor pencil, still making small corrections to the construction.
I am re-tracing nearly all the lines with black fine liner or ballpoint pen … and there is danger again. I learn that not all black fine liners are equal. Some will stay stable when the paper is soaked in water, but some will bleed. I stabilize the fragile lines by tracing over them with permanent markers. Fortunately, I have used the bleeding fine liner for thick lines as I want to highlight the main scaffolding of the construction.
Finally, I am getting to the best part: Using vibrant watercolor markers – layer by layer. I am touching each fragment of this “stained glass” cathedral several times, until I call it done!
The paper has been labeled paper for acrylic and oils. But I still managed to buckle and warp it when activating pencils and markers with water.
But this time, I will not test anything! I will not flatten the paper with water nor will I varnish it. Who knows if the offending fine liner would creep out from under the permanent marker again.
I simply put it behind glass:


Leave a Reply